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📅 2022 ⏱ 2h 15min PG-13 Released FHD / 4K

Moonage Daydream

DocumentaryMusic

A cinematic odyssey featuring never-before-seen footage exploring David Bowie's creative and musical journey.

🎬 DirectorBrett Morgen

📅 Release2022-09-15

🌍 CountryGermany, United States of America

🗣 LanguageEnglish, Portuguese, Spanish

🏢 StudioBMG, Live Nation Studios, Public Road Productions

🗳 Votes271

🔥 Popularity1

💵 Revenue$10,680,627

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🎭 Cast

David Bowie

Self (archive footage)

Lou Reed

Self (archive footage)

Tina Turner

Self (archive footage)

Russell Harty

Self (archive footage)

Dick Cavett

Self (archive footage)

Mick Ronson

Self (archive footage)

Trevor Bolder

Self (archive footage)

Mick Woodmansey

Self (archive footage)

Ken Fordham

Self (archive footage)

Brian Wilshaw

Self (archive footage)

Geoffrey MacCormack

Self (archive footage)

John Hutchinson

Self (archive footage)

Mike Garson

Self (archive footage)

Rutger Hauer

Self (archive voice)

Bela Lugosi

Self (archive footage)

🎥 Crew

Writer Brett Morgen

Editor Brett Morgen

Director Brett Morgen

Producer Brett Morgen

Executive Producer Hartwig Masuch

Executive Producer Heather Parry

Executive Producer Kathy Rivkin Daum

Executive Producer Tom Cyrana

Executive Producer Aisha Cohen

Executive Producer Justus Haerder

🖼 Gallery

🏷 Keywords

rock starsingingarchive footagesuperstarold footagesemi-biographicalmusical journeypersonal journeyimmersiverepurposed footage

💬 Reviews

Jace Bain

“[This film] is not about David Bowie. It's not about David Jones. It's Bowie in quotations. It's meant to be a mirror so that you, the audience, can see your own Bowie and reflect back upon your own life. Because, to me, the most exciting thing is that you can go and see a film about David Bowie and learn how to be a better parent or learn how to lead a more satisfying life- not that he went in…

CinemaSerf ⭐ 8/10

I don't know how many music documentaries I have started to watch only to find that every time a song starts, ten bars in we get some waffle - usually from some hitherto unknown music journalist - that completely obscures the song. Well not here. Right from the opening, Brett Morgan makes sure we know this is about David Bowie and not about those observers with (usually all too adulatory) opinions…